Meroë Marston Morse, the visionary who made the Polaroid a cultural object

In the eyes of Land, Meroë Marston Morse has become “a soul mate, a work colleague, a protector”, writes Victor K. However, Kennedy in his biography of Edwin Land, Insisting on the Impossible. Meanwhile, She did not need to be explained by the Polaroid method: “Emitting a hypothesis. Similarly, testing the hypothesis, modifying the hypothesis, testing by another experience, a high -speed sequential train where several hypotheses and experiences are proposed each hour”, a citation of one of the inventors of the company, as recorded by Mcelheny.

A few short months after her arrival. Therefore, Meroë Marston Morse was in charge of the division of black and white dandruff, where she led her team through the services throughout the day while the company was doing a transition and passed the monochrome sepia photos with black and white dandruff.

This process was meroë marston morse, visionary who accompanied by its share of challenges. Furthermore, Not only the crystals located in the darkest areas of a photo thought the light. but the paper they used absorbed fingerprints easily. And, perhaps the worst, some photos faded after a few months. Chris Bonanos. whose book Instant Documents the history of the camera business, writes that Land described the creation of black and white film as a “most complicated things that Polaroid achieved”.

And the young woman was at the heart of everything. as the former employees of Polaroid John and Mary McCann told me during a recent telephone interview. The Morse team analyzed as a tiny variations in a standard exhibition progressed. explained Mary, and Morse herself “had the eye to detect differences” thanks to her teaching in art history. “Land. she started from these first laboratory experiences to the point of selling dandruff and collecting billions of dollars,” added meroë marston morse, visionary who John.

John McCann told me that the time he spent in Polaroid reminded him of the Renaissance. when “the best scientists were the best painters and that they did everything”. The artists of Polaroid valued science and experiences and their perspectives counted as much as those of trained chemists.

Within the Marston Morse Marston Laboratory, scientists were dedicated to the creation of technologies that were to be artists. She was the liaison agent between scientists and photographers who served as consultants for the company. She thus built relationships with the talented photographer Minor White. the pioneer of the color photo Marie Cosindas and the landscaped photographer Ansel Adams.