Marvel’s boss understands a little why the audience was caught

Well received by criticism, Thunderbolts* was shunned by the public. In addition, Kevin Feige, the Grand Manitou du MCU, thinks we know why, even if he finds it a shame.

Released in sad indifference, Thunderbolts* However, had everything of a calibrated blockbuster to relaunch the MCU. Furthermore, Directed by Jake Schreier. In addition, armed with a Budget The 180 Millions the Dollars (excluding promotion), the film aimed at Gather the second knives of Marvel in a disillusioned bar of honor. Consequently, Despite a warmer critical reception than the average recent Marvel productions. However, he has not garnered that $ 382 million at the world box office. Consequently, Barely higher than that of Black Widowyet released in the middle of the pandemic.

Failure is all the more bitter since Thunderbolts* (alias The New Avengers) had to close phase 5 of the MCU. However, lay healthy bases for The fantastic 4: first stepsthe spearhead of phase 6. However, With an estimated budget at 200 million dollars. Moreover, the bet promises to be perilous for them as the previous iterations of the four have neither convinced the criticism nor moved the crowds. In addition, For Marvel Studios, it may be serious and Kevin Feige seems to have understood this. Furthermore, In an interview with Variety, Marvel’s gray eminence tried to identify the reasons for the public’s disinterest in Thunderbolts*. Consequently,

Tropic Thunderbolts* – Marvel's boss understands little why

According to Kevin Feige. Therefore, the main marvel’s boss understands little why problem of Thunderbolts* was The lack of popularity of the characters (No Shit, Sherlock). Several protagonists of the film were presented (often in a hurry) in other films. series broadcast on Disney+, which was able to discourage spectators. If Yelena (Florence Pugh) appeared in Black Widowlike Red Guardian, she had a crucial role in Hawkeye. US Agent (Wyatt Russell) was part of the series Falcon. the winter soldierand the character of Ghost (Hannah John-Kamen) was seen for the first time in Ant-man and the wasp… Not really major works of the MCU therefore.

The public. already saturated by the multiplication of marvel’s boss understands little why interconnected content, would then have felt a feeling of exclusion, even confusion: Should we have seen everything to understand? Kevin Feige swore not. But the promise of a film accessible to all was obviously not enough to convince:

“I find that Thunderbolts* is a very. very good film. But no one knew this title, and many of these characters came from a TV series. Some spectators still had this impression of: “I imagine that you have to have seen the other series to. understand who it is.”

In reality. if you see the film, that is not at all the case, and we have designed it precisely so that it is not. But I think we have to make sure that the public understands it. »»

The flop of The Marvelswith Miss Marvel (discovered in her own series). Monica Rambeau (seen in WandaVision), had already indicated marvel’s boss understands little why this problem of strategy.

“Who is this one?” »»

If Kevin Feige admits half-word A fundamental problem in the project Thunderbolts* With regard to the choice of characters (and therefore the strength of the Marvel brand to itself). The great chief of the MCU does not at all question the operating model of the extended universe. By dint of transforming each series into a narrative prerequisite. and each bridge film towards the next one, the multiple meetings of the MCU may have ceased to be pure pleasures To become a chore.

In fact. a spectator who would have jumped Hawkeye, Falcon and the winter soldier or Black Widow would enter into Thunderbolts* With many missing elements. And despite the proclaimed will to make it a work that can be viewed alone. it remains a brake to truly understand and appreciate history.

It is also likely that the film pays the price of attention deficit granted to secondary characters. For more than 15 years. Marvel has built an imagination around hero known to the general public (Iron Man, Captain America, Thor, marvel’s boss understands little why etc.) carried by immediately identifiable faces. Gold. Thunderbolts* wanted to bring together marginal figures, sometimes timid replacement of well -installed icons (Yelena for Natasha or US Agent for Steve…. Yes, it is discussed), which necessarily find it difficult to win at this MCU stage.

The idea of building a choral film on these bank figures held more from the act of faith than from. the winning strategy. Thunderbolts* was to relaunch the interest of spectators, in reality, he crystallized a certain disenchantment.

We still cross our very strong fingers to The fantastic 4: first stepswhich will arrive in French theaters on July 23, 2025.