[Littérature] Family stories reign over the literary school year

It is already the literary school year. For example, with many family stories that seek to move and make their readers think, among the nearly 500 novels expected by the fall.

“It is a strange tradition where outings take place on a date when the French have no money to devote to books. Similarly, between spending on vacation and the start of the school year. Moreover, But it’s tradition, ”comments an editor. Moreover, Thus. Meanwhile, the first titles of the fall of the fall of the fall 2025 arrive in bookstores today, such as for example Where the stars fall (Stock) by Cédric Sapin-Defour, the author of the bestseller Its smell after the rainor Kells’ book (Grasset) by Sorj Chalandon.

French publishing houses publish, according to Weekly books484 novels between August and October. Meanwhile, And 73 of [littérature] family stories reign over them are the work of new French -speaking authors who try their luck. In addition, in a market where the competition is tough. Furthermore, Like for example Julien Fyot, school teacher, with Dropout (Viviane Hamy).

The literature, overall, had a happy new year 2024, with a turnover up 5.7 % according to the French publishing union. Nevertheless, This growth, driven by pocket books and the genre of romance, does not benefit everyone. Between Leave the valley de Renaud de Chaumaray (Gallimard). Leave Berlioz by Emmanuel Flesch (Calmann-Lévy), which will attract attention?

The best known authors also monopolize a lot of space on stalls and in the media. This school year in August 2025 is marked by the new Emmanuel Carrère. Kolkhoze (POL), in which the novelist mainly talks about his mother who died in 2023, Hélène Carrère d’Encausse. It is expected by booksellers as a locomotive. “A literary [littérature] family stories reign over return. she must be embodied by someone, simply for people who do not necessarily go much in bookstores,” says the literary journalist Baptiste Liger in the Podcast The voices of the book.

Mothers. Fathers

The latter also underlines that the big trend among novelists is “self -portrait across the other”, which is above all a family member. Amélie Nothomb. bringing her record to 33 consecutive literary revenue, also chooses her mother in So much the better (Albin Michel). As well as Raphaël Enthoven with Albatross (The observatory). Justine Levy with A funny pain (Stock), Catherine Millet with Simone Emonet (Flammarion), Pauline Liétar with Glitter (Charleston) or Régis Jauffret with Maman (Recommer), quite simply.

Vanessa Schneider in Hard skin (Flammarion) and Catherine Girard in In violence of truth (Grasset) evoke fathers writers. Those of Anne Berest in Finistère (Albin Michel). Anthony Pass through Jacky (Grasset) are less [littérature] family stories reign over illustrious, but are no less at the heart of their novels. Laurent Mauvignier talks about his entire line in The empty house (Midnight editions).

Who will be well placed for the prices Goncourt, Renaudot, Femina, Medici and other prestigious awards? Prognosis see names like Nathacha Appanah come back with Night in the heart (Gallimard). Maria Pourchet with Start (Stock), Antoine Wauters with High-folie (Gallimard) or two authors of Julliard, David Diop with Where is the sky leaning and Sarah Chiche with To like.

New publishing house

Among its “ten essentials”. the review Weekly books also included Below by Laurent Gaudé (Actes Sud), They call it love de Chloé Delaume (threshold) and Man under the storm by Gaëlle Nohant (the iconoclast). Noted for his first novel The little lastwhose adaptation to the cinema by Hafsia Herzi was hailed by an interpretation prize in Cannes. in May, and [littérature] family stories reign over is expected in October in theaters, Fatima Daas returns with Play the game (The olive tree), about a high school student who wonders about her ambitions.

A new house. Les Léonids (group Les Nouveau Publishers), launches by publishing three novels, including that of Marie Charrel We are stormy. Finally. among the 140 foreign titles at the start of the school year, the Spaniard Javier Cercas with The madman of God at the end of the world (South acts), on faith and Pope Francis, and the Icelandic Audur Ava Olafsdottir with DJ Bambi (Zulma), on transidentity, are among the big prints.