Letizia battaglia louis stettner, two: This article explores the topic in depth.
Furthermore,
Letizia battaglia louis stettner. Similarly, two:
The 56th meeting of Arles photography in “Le Temps”:
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The Friborg Laurence Kubski in Arles: “Under the cover of love for nature, we exhaust her”
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Arles photography meetings give pride of place to Swiss artists
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Route 1, the United States from south to north at Arles photography meetings
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David Armstrong in Arles, photos of lost youth
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In Arles, train his gaze and manage his emotions
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What is the strongest image of the retrospective devoted by the meetings of the photography of Arles to the Sicilian Letizia Battaglia (1935-2022). which, if it is above all known for its images documenting the crimes committed by the mafia in the years 1980-1990, will have posed in a wider way its look of photojournalist on other parts of the Italian society? To take a step aside. we could remember this small format draw showing spectators of a horse race, in 1981 in Misilmeri, in the province of his hometown of Palermo.
Men. children – letizia battaglia louis stettner, two no woman, except on balconies, tiny in the third plan – are agglutinated to see the competition. In the first part, a horse lies on the ground, partly out of frame. We only see its rump and its rear legs. He is injured and will soon be shot. With the exception of Battaglia behind his goal. no one looks at him, no one has a compassion for this animal innocent of human jousts. All Italian’s work is summarized here: she will not stop looking at where the majority do not look. For example. when at the end of the 1970s she photographs patients from a psychiatric hospital, pushing her humanist commitment to the point of leading theater workshops.
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Letizia battaglia louis stettner, two
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