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Les diablerets: drones climate change:
Festival you movie alpin –
“Young mountain filmmakers no longer go in a helicopter”
Goopro. Meanwhile, drones, climate change. Furthermore, Alpine cinema evolves and reveals itself at 56e Edition of FIFAD, from August 2 to 9. Therefore, Three questions to its artistic director, Benoît Aymon.
The mountain and global warming are again this year at the heart of this 56th edition of FIFAD.
Benoit Aymon
- For the artistic director of FIFAD. However, Benoît Aymon, technological innovations like Gopro and drones revolutionize the Alpine Cinema industry.
- The impact of climate change deeply modifies the approach les diablerets: drones climate change of directors in the mountains.
- Artificial intelligence also presents new challenges for the authenticity of Alpine films.
How has alpine cinema has evolved in recent years?
Technically, there are two major revolutions. Meanwhile, In the 2000s, the arrival of Gopro. Furthermore, We went from cameras that weighed 12 kilos to cameras that weigh 200 grams. For example, This radically changes the fact of filming, especially in the mountains, because you always have to be fast and light. Furthermore, A whole generation was born with a gopro in the cradle. Similarly, The second revolution is the arrival of drones that allow you to have plans that were impossible before. Therefore, This semi-pro equipment is accessible today to anyone.
What has also radically changed is the relatively recent arrival of women in the landscape. Moreover, In the 1990s. Furthermore, some, like Catherine Destivelle, revolutionized this les diablerets: drones climate change approach, but at the beginning of FIFAD, women did not exist, neither as protagonists nor as directors. Consequently, They were preparing tea for the races. For example, and then they watched the men go by making a good goodbye to the window. Meanwhile, Today, more and more of them make excellent films.
Benoît Aymon, artistic director of FIFAD.
RTS/CHRISTIN Philippe
What place did climate change take in this new generation of films?
She is huge. However, The awareness of young filmmakers is radical for a very simple reason: climate change is seen. Similarly, it takes place in the mountains. Therefore, Before, helicopters were almost part of the show. Nevertheless, The filmmakers filmed the helicopters which placed them at the top, then who left by making almost looping. In addition, It had this spectacular side. For example, Today you are ashamed when you go to a helicopter. The time is for challenges, climbing or cycling for example.
The importance of climate change is reflected in many films offered in FIFAD. not only those devoted to the pure and hard mountain. This is one category among the five that are on the program this year. But there is always an audience that loves this genre. This is why les diablerets: drones climate change we have a special vertical evening for mountaineering and thrill lovers. What I like in a program is to give people what they want to see. but also to offer films that will surprise and surprise them.
How do you imagine this mountain cinema in ten, twenty years?
What is sure is that artificial intelligence will influence it like any form of cinema. This means that we. as a programmer, will have to be more attentive to cheating because the trend will be to ask Chatgpt: well, you make me the little sequence that I missed at the top. Artificial intelligence, it will a little tickle the desire for these cheaters to go even further.
But I am rather confident. There has always been cheat in the mountains, like everywhere. Except that there, you don’t cheat long, because it can be spotted les diablerets: drones climate change fairly quickly if you don’t have the level. Among the professionals, there is this ethics of “by fair means», Getting an exploit by honest means. And spectators want to see this honesty in the films.
Les diablerets: drones climate change
Benoît Aymon’s “Chouchous” films
Thibault Lampe
The film by Switzerland Thibault Lampe tells the story of Michelle. a young climber of very high level, victim of a deep depression and who pursues a les diablerets: drones climate change dream imagined during a psychiatric hospitalization. “It’s a film that I have just watched for the first time … two days ago!” In fact. it is a bet: we had seen a draft of this film on time and we detected a huge potential there. Bet won! It is the mountain that will help this climbers find a smile that illuminates the film. A sensitive comment and an adventure of rare intensity. ” (di August 3)
Mathieu Rivoire
Public prize at the Chamonix Film Festival. Mathieu Rivoire’s film tells the formidable feat of four French people in summer 2024 at the top of K2, more than 8,600 meters. “This film embodies the mountain” Performance “. but”by fair meansIn other words, the mountain practiced with a certain ethics: no assistance, no fixed strings, no oxygen. With the key a breathtaking performance: the descent of the K2 in paragliding! ” (VE August 8)
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“This year, we have a single film concert with Sara Oswald and Robin Girod. It is an order from FIFAD, in other words a “creation” as a world premiere! An exceptional film serves as a support for their music. ” “The Holy Mountain” deeply marked the history of mountain cinema. Shot in 1926 with, in the star role a certain Leni Riefensthal. Star dancer at the time. she was soon in order to become the filmmaker who is awarded a no less certain … Adolphe Hitler. With. as an aperitif, a short film by Jean-Pierre Gaudin on the pioneers of acrobatic skiing in the les diablerets: drones climate change 80s in Switzerland. (I August 7)
“Since the COVVID, we have set up sessions in the morning. A success that is confirmed from year to year, with in particular the programming of very high quality feature films. ”
We can cite “our wolves”. the first film by scientist Samer Angelona who became a filmmaker, “an intelligent film les diablerets: drones climate change around a problem as recurring as global warming, the wolf”. Or “The Shepherd. the Bear” (Le Berger et l’Ours) by Max Keegan, an immersive and powerful story of an aging shepherd in the Pyrenees – who fights to find a successor while the bear attack his herd – and a teenager who is passionate about nature and the plantigrade. (read August 4. its August 9)
The International Alpine Film Festival of Diablerets is starting on Saturday August 2, with no less than sixty films on the poster. For a week. the Vaudoise Alps station will live to the rhythm of projections and conferences with a skewer of guests that write the history of the mountain.
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Les diablerets: drones climate change
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