In competition in Locarno, “Mare’s Nest” and “Donkey Days” remain in the concept state

Last year, the experimental filmmaker Ben Rivers presented in Locarno Boganclocha black and white documentary in which he found for the third time – to film it in an organic way like an entomologist – an Ecossais living as a hermit in a Highlands forest, a highly cinematographic character. Twelve months later, the Londonian is already back with an even more arid film: Mare’s Nesta fiction in which he wanted to “create a universe of children imbued with uncertainty, echoing the anxieties of the world, while giving a little hope”.

At the heart of the story, a pre-adolescent man named Moon, interpreted by Moon Guo Barker, daughter of the writer and Sino-British director Xiaolu Guo, winner in Ticino du Léopard d’Or 2009 for She, a Chinese. Rivers filmed it between his 9 and 12 years. In a world without adults, here it is behind the wheel of an old car; Because of a turtle slowly hastened in the middle of the road, she embeds it in an embankment. She then won the shell tetrapod with her, and launches while walking in a long monologue on the evolution of molecules. The film, which is only pure intellectual concept, will then be made up of a succession of sequences, in black and white and in color, in which Moon will converse with a scholar or will meet wild children making community.

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