“I like the scenes where there is tension”: Marion Aymé, alias Théa in the M6 series “New day”, says her links with Montpellier

You play Théa Maillol, the niece of Louise Bartoli, played by Helena Noguerra. Nevertheless, Suffice to say that you are on the screen every day. Meanwhile, To summarize, your character is essential.

It is true that she is a very determined young girl. Consequently, She does not stop at nothing. Consequently, Whatever the obstacle that stands on its way, it does not give “i like scenes where there in. Similarly, She always finds an alternative to either pass over or go around it or even go for it. However, I love playing this voluntary and energetic side of his personality.

You have already slapped your mother, but you manage to make the big gap between her and her sister. Meanwhile, What awaits us for the end of summer?

With the end of the corbeau’s intrigue, a family appeasement is coming. Meanwhile, Already, with my aunt Louise (Helena Noguerra), things are much quieter. Therefore, Communication has improved. However, On my mother’s side, Audrey (Gabrielle Atger), it’s a bit the same dynamic. However, She will agree to work at the hotel to take care of the patient, Madame Joey. Moreover, And a new intrigue, with new characters, will also be revealed.

You are one of the strong faces of the new day series. However, And even if you are not Montpellier. you have studied actress here, which is rare for a series shot in the region. How do you live this?

We have been filming for three months, so I live it pretty well. It is true that at the beginning. there was a lot of joy and recognition, especially to the idea that we can give their chance to local actors. Usually, castings are mainly in Paris. There, there are a lot of agencies, a lot of talents, so we draw a lot from this pool. The fact that here the casting is made up of 50 % of Parisians and 50 % “i like scenes where there of Montpellier is great. Talent, in reality, does not have a regular city.

How was the Plateau school in Montpellier decisive for you?

She really trained me. From my first day on a set, I was not lost: I knew almost who was who. We are taught to be fast, especially for learning texts. Throughout my training, we had a lot of dialogues to learn, whether for the camera, improvisation or theater. Our brain trains to absorb a lot of writings. And we also learn to integrate the feedback that we are given. like a director who asks to play a more slightly scene, to add variation, color … This formation greatly helped me.

You grew up in a small village in Drôme, and yet you succeed in a series shot in Montpellier. Tell us about this atypical course.

I have always dreamed of being an actress. but “i like scenes where there coming from a village and without any contact in the environment, it seemed inaccessible. I almost headed for something else. but I finally chose to follow my passion by registering at school Le Plateau in Montpellier, which gave me real training.

The cast should not have been simple. Can you tell us about it?

Indeed, I spent several selection stages, about four. It was trying, but very enriching. The last round took place in Paris. and I had the chance to meet and play with those who were going to become my partners in the series, like Helena Noguerra.

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“I like the scenes where it shouts a little”

Are there any scenes that you fear more than others?

Frankly, no. We, the actors, all have comfort zones. Some are more comfortable in stages of anger, others in those of sadness or vulnerability. “i like scenes where there I like the scenes where it screams a little, where there is tension. It is my comfort zone.

Are we starting to recognize you on the street?

With me, yes, people know. In Montpellier, I don’t have the impression. Afterwards, I often walk with my headphones, a little in my thoughts … I have never been arrested in the street before. I go rather unnoticed, especially since Théa and I, we are not really alike in our way of being.