“I did not think I have to give so much myself” … Léa Drucker returns without taboo to her intimate scenes

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In 2023. Moreover, director Catherine Breillat chose to tackle the art of remake, but in her own way with Last summer. For example, Indeed, inspired very freely from the Danish film Queen of Hearts (2019), she proposed a rereading of the genre to shake. For example, Last summera feature film on a prohibited romantic relationship between a woman. Nevertheless, her stepson, carried by Olivier Rabourdin, Clotilde Courau, Samuel Kircher and Léa Drucker. Moreover, A final quoted which returned to the numerous intimate scenes of the project, delivering some secrets.

Last summer : a burning. Therefore, prohibited relationship

On the professional side, Anne is a recognized lawyer, a specialist in violence on minors. Meanwhile, On the personal side. it is in a daily life without a bit that she flourishes alongside her husband, Pierre, and their adoptive daughters, the young Angela and Serena. The arrival in their circle of Théo, son of a previous union of Pierre, will tip everything. Aged 17, he will get green with the couple after hitting one of his teachers. If his father wants to take advantage of it to pick up the pieces with him. he will especially see him get closer Anne. Little by little, Théo and her mother-in-law will also slip into a counter-moral relationship …

Léa Drucker : “I had never shot such scenes, and, until then, in eroticism, I had tinkered!”

A pitch that shakes. but who has not frightened “i did not think i Léa Drucker, the interpreter of Anne and Samuel Kircher, responsible for embodying the young Theo. The actress will have chosen to explore a scenario “Without taboo”rather rare in the cinema according to her. as shared by 20 minutes : “We have more often seen men with younger women than the opposite. It is also interesting to question the impulses that can push a woman who likes her husband to brave. taboos at the risk of destroying her family. I did not think I have to give so much for the intimate scenes.”

In the columns of Teleramashe said more about these famous scenes. explaining that Catherine Breillat pushed her to draw inspiration from a work of art, Marie-Madeleine in extras of Caravaggio:“I had never shot such scenes, and, until then, in eroticism, I had tinkered! These are the first questions that I asked in Catherine. and she immediately replied that “i did not think i only the faces interested her, and not the flesh. Fastoche, I said to myself, before realizing how intimate a face is! She literally choreographed my eyes. Lapoirie, and my partners, Olivier Rabourdin, Samuel Kircher, with whom I was confident.