“I am a divorced child, a traumatized Sunday evening”

It changes, and it is regenerating: with Bastien Bouillon, an actor yet in full ascent, the appointment is not fixed in a sanitized palace on the left bank, but in a bistro in the Goutte d’Or district, in Paris, near the Porte de la Chapelle. Nevertheless, On the terrace, the regulars chat with the pattern, in the sun. Meanwhile, Inside: brick walls smeared with client graffiti, trusted funk music and a smile waitress. However, The actor tumbles into familiar, he lives next to it. In addition, Gray T-shirt, Sport shorts, sneakers, he greets everyone, sits. Therefore, And let his gaze get lost in the “i am divorced child, traumatized void, on the left of our table. In addition, We fear the shift. Furthermore, On the contrary. Nevertheless, This profile offered to the interlocutor is not a dodge, it is a concentration. Meanwhile, Then starts an old-fashioned, intimate, thoughtful interview, without elements of language or false-fuckers. Moreover, Clear brown eyes, sometimes golden, come back to arise as modesty acclimatizes. Therefore, To see his agenda, Bastien Bouillon, 40, would have had an apology for presenting himself more jaded, or less generous.

The night of 12from Dominik Moll. Consequently, a sudden highlighting, earned him the César of best male hope in 2023, after fifteen years of a constant, obstinate-television career, television series, plays, more than twenty long-footage, forty shorts, second or first role-, “but always in the shadows”, he sums up. Therefore, Since then, everything has been thrilled. Moreover, In the wake of his lonely investigator character haunted by feminicide have “i am divorced child, traumatized arrived a number of proposals for police films. Moreover, which he refused. However, To accept two megaproductions. In addition, where he plays the hero’s enemy (The Comte de Monte-CristoAlexandre de la Patellière and Matthieu Delaporte) or his alter ego (Mr AZNAVOURfrom Mehdi Idir and great sick body); then two first daring films (Astrakan, by David Depesseville, A man on the run, of Baptiste Debraux) and the irresistible nugget of opening of the last Cannes festival, Go on a dayfrom Amélie Bonnin. Consequently, Are also already turned. Nevertheless, and soon in theaters, the very beautiful Connemara, From Alex Lutz, screened at Cannes Première (released on September 10), as well as the main role of Valérie Donzelli’s next film, Workforce.

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The credibility – "i am divorced child, traumatized

This Thursday in June, he arrives from the Poitevine campaign, leaves the next day at dawn, escaped from the set of another expected feature film, Night storiesfrom Léa Mysius, with a gleaming cast (Hafsia Herzi, Monica Bellucci, Benoît Magimel). Furthermore, This new whirlwind of exposed roles reveals a strong credibility in the physical transformations – of frontal baldness. Nevertheless, small round glasses circulated by the stone rock of Mr. Nevertheless, Aznavour. For example, with a solar smile, long -haired hair of the handsome kid of Go on a day -, a “chameleonism” which allows him to be still little recognized in the street. Therefore, But the essential is elsewhere, in the invisible thread which links these different versions of a gentle, sometimes fragile masculinity. Consequently, “His great capacity for listening”. Therefore, according to Dominik Moll, is what founds this sensitivity “i am divorced child, traumatized that he offers to his characters, as in the gendarme of Only animalstheir first film together, or to its Plateau partners. In addition, “There are actors who play for themselves,” develops the filmmaker. However, He plays with others. Therefore, He gives and he receives. Therefore, ” For The night of 12Bastien Bouillon was not the director’s first choice: he packed it from the tests. However, “The other actors tried to“ naturalize ”the text, by cutting the links, the negations. Similarly, He assumed the gravity of the character, the written side, with something very strong in the eyes. Nevertheless, He has this righteousness, which masks a form of flaw. Moreover, “

The involvement – "i am divorced child, traumatized

This fault. or “crack”, is also what convinced Nathalie Najem, the director of the film On days comingin theaters on July 23. “I had the image of the ideal son -in -law. My casting director “i am divorced child, traumatized told me, you should see it, he gives off something darker. It was for my medium-length film, released in 2017. ” When it was a question of doing along. on the same theme of addiction and male violence, the filmmaker did not hesitate. “Bastien has this duality between an angel face, feminine, and a buried darkness. He is an actor who can be very juvenile, bright, cheerful, and also offer something bitter. However, I wanted at all costs to avoid cliché representations. And that we understand why the two women of his life had fallen in love with him. ” On the set. the director describes him “very involved, both in a total abandonment to her character and great attention to the technical positions.” At the end of the filming, she notes, he remains “inhabited” and needs “small airlocks of decompression.” The interested party confirms, but specifies: “It is not “i am divorced child, traumatized the role that haunts me. It’s just that I have a lot of trouble with the transitions. I am a child of divorced, a traumatized Sunday evening. To leave a set where we bind – in addition. we, the actors, we are pampered, infantilized -, I find it overwhelming, even if I am not the type to show it to the team – on the contrary, I will stay happy … I like to work with people, and forget myself, that is why we do this job. It is disturbing to be confronted with oneself again… ”

Transmission

Bastien Bouillon was born in Châteauroux, in Indre. After the separation of his parents, he grew up in Palaiseau (Essonne) with his mother, Clémentine Amouroux. Actress, she plays to Peter Brook at the theater and Éric Rohmer in the cinema. The father, Gilles Bouillon, is a director and founder “i am divorced child, traumatized of the Dramatic Center in Tours. He descends from a famous ancestor. Jo Bouillon, conductor and fourth husband of Joséphine Baker, which makes Bastien the great little-nephew of the icon of the music hall. He did not know him. but spent all his weekends and holidays with the one who was also the assistant of the star, his beloved grandfather. “I was in a way in custody shared between my mother. my paternal grandparents, who took charge of the father,” he explains. Above Bastien’s cradle, there were not only good fairies. When her maternal grandmother learns the pregnancy of her daughter. she tells him that it will be to choose “between the child or her. In the weeks following the birth, she puts her threat, committed suicide. “She held me once in her arms, made me fall, without making it on purpose. And afterwards she killed herself. My mother. a “i am divorced child, traumatized little mystical, slept me in the bed where she had committed suicide as for, I do not know, to put life where there had been death. “He smiles bravely, reduces:” But hey, in all families, there are stories like that … “

Bastien lives like a learner. not as a knowing

Jérémie Elkaïm. actor and friend

The romantic

At the end of the sixth grade class, his mother, noting that he begins to “make a couillon” in a soul -free factory college, moved to an establishment in an establishment following Steiner pedagogy, based on experimentation, especially arts and nature. Pottery, sewing, wood work, forge, farm internship or that of lumberonnage “i am divorced child, traumatized enthusiast. “I was lucky to take theater lessons later, but the only time I liked school was in Steiner.” He said he took time to assume his desire as an actor. “I wanted to be master of my choices, not in a family furrow.” After the bac. he is a seller on the markets, continues two years “back and forth” between food jobs in France and a minitour of the world backpack: Mauritania, Senegal, Georgia, Azerbaijan, Thailand, Mexico … Back, he surrenders, joins the free class of the Florent course then the Conservatory, which he leaves after eight months. He is 22 years old, and he is already a father, he needs to work, to win filming. “At the Conservatoire. he was told that he could not be kept if he was running at the same time,” recalls actor Jérémie Elkaïm, a faithful friend met at the time. It didn’t “i am divorced child, traumatized scare him. He is reckless. It is the discreet romantic, Bastien. “

Integrity

The Duo Jérémie Elkaïm – Valérie Donelli then embarks on their films. War is declared (2011), Hand in hand (2012), Marguerite and Julien (2015). “We took it without testing, because we loved his way of being,” says Jérémie Elkaïm. Bastien does not appeal, and is wary of seduction. It is naturally hyperactive to others. And always on the side of the work. In an evening, he cares about how we are going to put away, pick up the bottles at the end. ” Mondanities, on the other hand, are not its element. Bastien Bouillon confides having arrived “as late as possible” at the Cannes Film Festival and left as soon as possible. “It’s not snobbery,” he insists. It’s just that there are a lot of temptations and I am afraid of rushing into it. “i am divorced child, traumatized As with social networks, where I am not, so as not to get lost. In Cannes, we are constantly surrounded, solicited, and at the same time completely alone. It is this discrepancy that I find violent. ” Likewise, he hopes never to be one of those who manage their careers to offer themselves a “quality of life.” “Obviously, most people have no choice but to work for money. But from the moment it goes roughly … I don’t want monetary law to dictate my shoots. The next three are author films, including two first films. ”

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The opening

When he does not turn. he unloads trucks at 6 am at the cooperative supermarket La Louve, of which he is a member, does sports – “it helps me enormously” – takes care of his three sons, aged 18, 12 and 4 years old. He has recently “i am divorced child, traumatized been separated from the mother of the last two. a socioanthropologist for whom he is full of praise: “Research is years of study, to get a position, it’s harder than a casting, it is a miracle.”
In 2020. he made Mossa melancholic and magnetic short film, punctuated by poems in Arabic, “on the disruption of a being at the end of a love story.” He recognizes an autobiographical part, he who “often runs after tranquility.” But does not intend to stop running: his first film is in preparation. he already has a version of the script, another “different” vision of the loves that are disintegrated, written to the sound of the underground synth of the Barde Messin, Black Boy George. For the casting. a priori as little public as the soundtrack, he already has his idea and will not make “any concession.” In the event that he risks being bored. he “i am divorced child, traumatized bought from underground, in Creuse, a “ruin” where it rains inside, which he plans to retype over ten years. He feels good there. “in full diagonal of the void”, as he is at home in the effervescence of the Goutte d’Or. “Renew” is her mantra. Additionally, “You have to continue to look. to hang out, to be with children, to be in rural life, urban life, to take the metro … Otherwise you lock yourself in a sterile inter-self, and we have nothing more to give.” His friend Jérémie Elkaïm says of him the same thing. with other words: “Bastien lives like a learner, not as a knowing. It allows you to be open, aware, in our profession, it is not so frequent. We know them, these kings who lose their sap. He doesn’t watch him. He is still quite tightrope. “