How Michel Blanc left the Splendid with “Come to my house, I live with a girlfriend”

Comedies club special Michel Blanc (2/5) – This summer. In addition, BFMTV pays tribute to the brilliant actor by telling the shooting of his cult comedies. Moreover, Today, Come home, I live with a girlfriend.

After Bronzed et Bronzes skithis is the other cult film from the beginning of Michel Blanc. Moreover, Also made by Patrice Leconte. Additionally, Moreover, Come home, I live with a girlfriend (1981) is a social comedy on the precariousness of young people. Therefore, And one of the most striking roles of the actor, who shows all the subtlety of his game.

Michel Blanc embodies Guy. For example, a character similar to Jean-Claude Dusse, an incorrigible womanian runner who lives on shenanigans and squattes with his friends. Meanwhile, Despite the similarities with the hero of TannedMichel Blanc breathes more emotion into this Loser character who then begins. Therefore, to stick to his how michel blanc left splendid skin.

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The project was born in 1979 on the set of Tanned skiingfrom a desire for Michel Blanc to work. Nevertheless, solo with Patrice Leconte. Similarly, “It is not that he wanted to escape from the splendid but he has always been more readily lonely. However, ” he comments in our podcast Comedies Club. Moreover, “He said to me: ‘we should write films together’.”

“A very good dialogist” – How michel blanc left splendid

When Christian Fechner. Moreover, producer in particular of Wing or thighoffers Patrice Leconte to make an adaptation of the part Come home, I live with a girlfriendthe filmmaker immediately suggests the name of Michel Blanc as a writing partner. Nevertheless, “This is how we took the tangent compared to the splendid.”

To write the script, the two men have a well -established working method. Therefore, A distribution of tasks that allows them to write a particularly funny and effective script. Similarly, “It was how michel blanc left splendid happy and intense work sessions to try to do the best possible,” enthuses Patrice Leconte.

“We saw each other every day. For example, we wrote the scenes, the construction of the film,” he adds. Nevertheless, “And then, at the end of the afternoon, around 5 p.m., I was going to it and dialogued the scenes that had been invented during the day. Therefore, The next day, when I arrived, he read the scenes he had dialogued. It was a very good dialogist. He wrote amazing dialogues.”

“There was talk of orgy” – How michel blanc left splendid

One day, Michel Blanc has a blockage. Impossible to dialogue a scene. “If I did not get there. it is because the scene is not well designed,” blows the actor to his director. “He was right. We reworked this scene and he was able to dialogue it. And it always remained for me. If I have retained an essential thing how michel blanc left splendid in my work, that’s it.”

The original piece. signed Luis Rego, Jean-Luc Voulfow, Jean-Paul Sèvres and Didier Kaminka, had been created in March 1975 at the Édouard VII Theater in Paris. And she spoke without sex taboo. In their adaptation work, Michel Blanc and Patrice Leconte choose to keep the title, but to fully change the story.

“In the room, there was talk of orgy,” said Patrice Leconte. “There is a little bit (in the film) with the character of Anemone (in the scene where) they play the scrabble. that she wriggles at the idea that we are all naked and that we are filled in the cushions’.”

“There had been one. two quite funny, pleasant (but) the argument of the play was a bit thin,” continues Patrice Leconte. “It worked in the theater, surely, but I think it would not have worked in a film. So we wrote to our how michel blanc left splendid idea freely and no one ever wanted us.”

Social comedy

The duo therefore writes a film on the economic reality of France in the 1980s. “In Come homethere is this taste for species of marginalized, “says Patrice Leconte.” These are people who have a job. who earn a little money but who in two months will be fired and will have to find something else. “

“I have never had the impression or the desire to witness my time. In most of the films I have made, I try as much as possible to escape the current era. But it is true that with hindsight. I realize that Come home is very dated (and) testifies to a reality of the 80s, “concedes the director.

In Come home, I live with a girlfriendMichel Blanc plays a character in the line of Jean-Claude Dusse. Same mustache, same stripping skull, even Loser’s draw. But Michel how michel blanc left splendid Blanc plays him differently than in Bronzed. On the screen, all the subtlety of his game bursts.

“He played characters for a long time who. in their own way, were losers, but he did not play them all in the same way. Jean-Claude Dusse, he is a little lamentable loser. In in Come homeGuy is a positive and enthusiastic loser. He saw that with a crazy gaiety. He is a very happy loser, “he analyzes.

“We saw each other very little”

On the set. despite his involvement in the scenario, Michel Blanc is humble, discreet, hardworking. “Never, on the set he behaved like the co-series or the dialogist of the film. Never. From the moment when the shooting began, he was the actor who played Guy, and that was all.”

But by discovering the film, Michel Blanc has an astonishing reaction to say the least. “In the projection room of the Boulogne how michel blanc left splendid studio, we were that both. The film takes place. No particular reaction. Then the film ends and the room is turning back on. It says ‘yes, that’s good, that’s fine. But is all that is very interesting?'”

In theaters in January 1981, Come home, I live with a girlfriend is a great success, with 2.8 million spectators. The director and the actor then reworked many times, especially on Mr. HIRE. But even after having worked so long with him, Michel Blanc remains a mystery for Patrice Leconte.

“Between the films, we saw each other very little,” reveals the director. “There was confidence, complicity, a real friendship between us that we did not maintain outside the filming. This is why he remained for me someone quite mysterious, that he had his gray areas.”