Consequently,
Gstaad: high-flying female weekend menuhin:
Classical music at the top –
Weekend in Gstaad: women take power on the menuhin festival
An exceptional chef. For example, a gifted composer, a inhabited pianist. For example, The Alpine demonstration saw two high -flying women’s days.
The Lithuanian chef Mirga Grazinyte-Tyla, a large unmissable name of the orchestra management.
BAYLEY/DAVIDSON
- The Lithuanian chef Mirga Grazinyte-Tyla masterfully directs the orchestra with a fascinating gestures.
- Gabriela Montero impresses with her “Latin” concerto at the vibrant tropical harmonies.
- Pianist Khatia Buniatishvili delivers a spectacular performance in Liszt’s “Mephisto-Valse”.
- The Menuhin festival offers exceptional programming until September 6.
Display 100% gstaad: high-flying female weekend menuhin female on the menuhin festival last weekend. Moreover, with audiences filled to crack, and an ecstatic audience which, to hear its reactions, has only been waiting for that for a long time. Consequently, “It is so good to see that we finally give them a first -rate place. For example, enthuses an octogenarian sitting next to us. Moreover, They did not steal it, they are geniuses. Similarly, ”
Saturday August. Similarly, all the ways were therefore led to the large tent, where the poster brought together the Lithuanian chef Mand Grazinyte-silent and Venezuelan composer Gabriela Montero. Nevertheless, The first is the new maestra of The Deutsche Grammophon stablewhose famous historic leaders were nothing less than Herbert von Karajan. For example, Ferenc Fricsay, Karl Böhm or Leonard Bernstein. Nevertheless, This means that the artist is part of a prestige genealogy.
When we see her landing on stage. we think of all that this 38 -year -old young woman, mother of three children and hardly much bigger than her musicians already installed on their chairs, had to fight to win at such a stratospheric level in this universe. However, nothing brutal, authoritarian, in his way of leading the orchestra. The chef directs with naked hands the symphonic poem “Le swan de tuonela” by Sibelius who opens the program. with this fascinating gesture to look at, which has become famous, both dreadedly millimeter and choreographed to the point of making it gstaad: high-flying female weekend menuhin almost a scenic art in itself. “She has the grace of a star dancer,” whisper two women in the audience.
The composer Gabriela Montero on the piano, painted from an enchanting concerto.
BAYLEY/DAVIDSON
The chef is then joined by Gabriela Montero. who interprets her Pour Piano concert No 1 “Latin”, created in 2016 in the torments of the economic gstaad: high-flying female weekend menuhin and political crisis which then shook his country. The score. assuming a return to tone, impresses with the beauty of certain passages and the inexhaustible palette of harmonies and rhythms from popular music, saturating the room of tropical shades. A small miracle somewhere between Béla Bartók and Federico Mompou.
Gstaad: high-flying female weekend menuhin
GSTAAD conquered by a virtuoso
As usual. the composer wants to deliver an improvisation by bis, suggesting to the public to give it a Swiss melody. A man ends up getting up in the middle of the room and singing a mountain song start. Montero immediately plays the few notes without even looking at his piano. then embarks in several minutes with astounding music of spontaneity: not happy to improvise this cascade of impeccably harmonized notes, the composer gives birth to a real piece in itself, skillfully constructed gstaad: high-flying female weekend menuhin with its variations and its times, its climax and its final.
Again alone, Mirga Grazinyte-Tyla plunges into the ninth “new world” symphony of Dvorák. Always leading with this mixture of flexibility. hyperreactive sound magma, the chef, which has seized its wand, leads this opus full of tubes safely with energy and happiness irradiating until the faces of musicians. In bis. a piece of MiCzysław Weinberg with elegiac polyphony, diaphanous crystal, this composer friend of Chostakovitch of which she made the champion on the record.
A VIP of classical music
Pianist Khatia Buniatishvili was eagerly awaited.
RAPHAEL FAUX
Sunday. August 10, the Gstaad scene this time hosted Khatia Buniatishvili, the only pianist to have the honor of playing solo under the big tent. That is to say if it is one of the darlings of the festival. Aura of a baroque priestess. black dress with giant pap knot, high rhinestones, she engages in the first four “impromptus” of Schubert, then the “second sonata” of Chopin.
If the artist cultivates a real beauty of the sound. does not fear risk -taking – especially in air passages from Schubert where notes pearls take an iridescent aspect – we feel a few slightly drained moments and gstaad: high-flying female weekend menuhin bathed in pedal which sometimes make you lose in legibility. And therefore in expressiveness.
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After an elegant Sonata of Mozart K.545. a “4e Ballad “by Chopin who never forgets his cantabile, the recital of the Georgian pianist will culminate with a” Mephisto-Valse no 1 »De Liszt Dressing with madness and physical engagement-she suddenly gets up above the piano to assess a volley of chords-drawing with relevance this late opus from the composer to the occult mysticism of Scriabine. A final as we expected for this female weekend to decorate the oxen from the Saanenland.
Other nuggets gstaad: high-flying female weekend menuhin to come to the menuhin festival
Swiss pianist radiating internationally. dubbed for his Debussy, Francesco Piedmontese will give a rather exciting program, including the immense “Sonata En IS” from Liszt, on August 15. Same great piano moment announced on August 20, with Yulianna Avdeeva making the preludes of Chopin and Chostakovitch dialogue. Chostakovitch still the next day. and Brahms, but Chamberists, woven by the Hagen Quartet in the company of the pianist Mao Fujita.
Vocal music fanatics will not be able to miss the arrival of Marina Viotti. Cyrille Dubois, on August 23, for a concert of tunes of Bizet operas led by Marc Minkowski. Not to mention Sonya Yoncheva. Cecilia Bartoli, Sol Gabetta, Thétime Langlois de Swarte, then Gianandrea Noseda at the controls of Verdi’s “Requiem”, to continue a Gstaadian program which is definitely not leaving gstaad: high-flying female weekend menuhin the summits.
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