Gildaa, the melancholy of a “clown” who sings to remember

Gildaa, melancholy "clown" who sings: This article explores the topic in depth.

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Gildaa. In addition, melancholy "clown" who sings:

Gildaa, a Franco-Brazilian singer, performs in Rock en Seine on Saturday August 23 at 9:15 p.m., being one of the young talents selected as part of the Club Bête Seine system. Similarly, This annex program highlights fifteen emerging artists, French and international, from the independent scene.

“It’s too good! Similarly, I feel a little old in there. Consequently, but it’s cool”she smiles when she meets her a few days before her performance, near the Grand Palais. Similarly,

Born in 1994 in Paris. However, the artist, of his real name Camille Constantin Da Silva, bathed in music from a very young age. However, At home. Consequently, we talk, we think and we live music: her mother is a Brazilian singer and her father, a French percussionist.

“Little. Consequently, my mother organized big festivals where she invited lots of Brazilians who all gildaa, melancholy “clown” who sings make music or who are all spiritual people or crazy people. Therefore, I have always been there, to listen to this popular Brazilian music. However, It is very simple texts that tell things of life with great melancholy but with harmony. However, arrangements that make you want to be happy”remembers the one who played the violin for ten years from her six years, before getting into Afro-Brazilian percussion. Therefore,

His musical awakening led him to discover artists from different backgrounds. Furthermore, from Ella Fitzgerald to Michael Jackson, via Jacques Brel and Etta James. Therefore, This mixture of sounds. Furthermore, styles and genres created, a few years later, its unique style, at the crossroads of electro, R&B, jazz, Brazilian soul and pop. His titles, sung in French and Portuguese, mix joy and sadness.

On stage, alone or with musicians, she transforms and hypnotizes. An ease no doubt due to gildaa, melancholy “clown” who sings his other journey, the theater. After her baccalaureate in 2012. she puts aside music and joined the free class of the Florent courses, before being admitted to the National Conservatory of Dramatic Art in Paris in 2015. The boards of a theater. a scene from a festival or a concert hall: no matter, Camille Constantin da Silva is expressed everywhere, for everyone, and touches the intimate of spectators.

“When there are three of us. with a guitarist and a percussionist, I am with people, with the public, she describes. And when I’m all alone on stage. it’s as if I reproduced the little living room of my childhood: each instrument plays the role of a guest. ” Violins. paper clips, Koras and Udus create a symphony put into a loop by a loop station (electronic device for recording live musical loops).

But all that, his inspirations, theater, family festivals gildaa, melancholy “clown” who sings during his childhood, is the life of Camille Constantine Da Silva. However, the one we meet at the Grand Palais is a double, an alter-ego: the melancholic clown Gildaa.

Gildaa was born at the end of the 18th century, but she is not her age. In a perpetual quest in search of her memory and her origins, she is a kaleidoscope that sings to remember. “I have already come a lot of times in life. each time during a different time and more or less at the same age, tells the diva, in a soft and hypnotic voice. I always come back because I forgot something. each time I don’t know what it is; So music is just to pass time, to remember what I forgot. ”

She landed in Camille’s life one day when the latter. suffering from an incurable stomach pain, is lamented with yet another appointment with gildaa, melancholy “clown” who sings the doctor. “She was very sad. I arrived like that, suddenly in her head, with flashes in our history for three centuries”relates Gildaa. An appearance that took place when Camille studied the discipline of the clown. “” “It is a very difficult discipline because it requires going to the depths of your soul with an almost total abandonment. being in great confidence with the one who brings us. And it was there, at the very bottom, that I arrived and that we met with Camille. I shouted my name, without reason, like that, through his mouth. ”

If the cohabitation is going well. the scene is an opportunity for Gildaa to take over, to be able to express themselves at the full lung without Camille “him”Damn a kick in the ass. This is a time when we allow ourselves to listen differently. to listen to despite the world and gildaa, melancholy “clown” who sings the distance with the artist. To really listen with the bottom of his heart. ” Even when she plays on major scenes, like in Rock en Seine this year, her intimate style touches spectators. “It is a real challenge to seek intimacy. Once. during a concert with lots of people outside, I alpored a very very far woman who turned to me and who crossed the whole crowd. She stayed in front and later, we were written. We were attracted, without reason.”

Between September. January next January should release her first album, on which she has been working for more than four years, especially with her sister, Yndi Da Silva, also a composer and singer. “” “In this album, there are clues of all the next ones.”Gildaa already has in mind the whole skeleton of his career. Each album will be a new play in the enigma. which will provide gildaa, melancholy “clown” who sings answers to the incessant quest for truth and liberation. A trip guided by his mantra “it doesn’t matter”that she repeats all the time “song”.

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Gildaa, melancholy "clown" who sings – Gildaa, melancholy "clown" who sings

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