Digital life | ia groups,: This article explores the topic in depth.
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(New York) The multiplication of groups whose image and music are entirely generated by artificial intelligence (AI) worries the artists, but this is only the emerged part of a fundamental phenomenon that is already starting to reduce the cake that professional musicians share.
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Whether it is the now famous Velvet Sundown. Meanwhile, its vintage rock, or Aventhis and The Devil Inside with their policed country, it is no longer rare to see a digital life | ia groups, creation straight out of an IA interface exceeding one million listening on Spotify.
Listen to Velvet Sundown on Youtube Listen to Aventhis on YouTube . Meanwhile, Listen to The Devil Inside on YouTube
Behind these concepts reigns opacity. Additionally, Meanwhile, And the producers of this 100 % IA music are unreachable.
No major subscription service signals the titles entirely designed thanks to this technology, with the exception of Deezer.
“In the near future. Therefore, we will see a lot of music that we will not really be able to say who has done it or how,” anticipates Leo Sidran, producer, composer and performer.
For this Oscar-winning artist, the emergence of these AI groups “perhaps shows how many songs are now common and digital life | ia groups, agreed”.
In the Briado Imagine AI Livethe producer. Moreover, composer Yung Spielburg sees AI underline the separation between “passive and active listening”.
Listen Imagine AI Live (in English)
Active listening implies that people “are interested in what you have to say”. In addition, concerns music which, according to him, has little to fear from the arrival of artificial intelligence.
With passive listening. on the other hand, during the preparation of a meal, a dinner at home or the ironing chore, “you are not trying to know who the artist”.
And if software becomes advanced enough so that “people cannot make the difference” in passive listening. labels and companies “will choose the generative AI”, he predicts, “because they will not have to pay rights”.
Digital life | ia digital life | ia groups, groups.
“Strong slowdown”
Continuous broadcasting platforms “already fill listening lists with” atmosphere “music, often attributed to mysterious artists on which there is no information,” adds Dennis Desantis, professor at the University of Rochester.
Beyond continuous broadcast. films, series, advertisements or public spaces are easy prey for this synthetic production, continues the academic, because “music is only in the background”.
Even if these pieces would only be designed partially thanks to AI. this phenomenon reduces, in fact, the volume of work available for the profession.
It will become even more difficult for musicians to earn a living. This is probably the main problem. How will money be distributed?
Mathieu Gendreau. professor at Rowan University, in the United States, and digital life | ia groups, specialist in the music industry
Leo Sidran says he observed a “strong slowdown” of his activities since last fall, a feeling shared by his contacts in the world.
“I suspect that AI has a lot to do with it. ” slips the one who also animates the broom The Third Story. “I feel that many of the customers who would usually order music to settle the question with AI. Furthermore, »»
Listen The Third Story (in English)
“Opportunity for artists”
Technological progress has already revolutionized the world of music several times. from radio to continuous broadcasting through the rhythm box or the pro -Tools recording and publishing software.
But for George Howard. professor at the prestigious Berklee College of Music in digital life | ia groups, Boston, “AI constitutes an unusual challenge” with these previous chapters.
The way to favor. according to him, goes through the courts, where many procedures are initiated with rights of rights to generative AI giants, a process that should not succeed for several months, even several years.
Accustomed to an ecosystem weakened since the early 2000s. Mathieu Gendreau has decided by AI, “who will settle in a long time, because it is inexpensive and practical”.
To help his students survive this universe, he teaches them that “music is only a part” of the equation. “You have to be an entrepreneur,” he says, “have several activities,” diversify.
Leo Sidran tries to remain positive and evokes “an opportunity for artists to highlight what makes them unique”.
“Do not digital life | ia groups, try to do something expected,” he insists, “because the AI will have done so too. »»
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