Death of the important Belgian painter Walter Swennen

Born in Brussels. Therefore, in Forest, in 1946, Swennen began his artistic career as a poet and performer before turning to painting in the late 1970s. In addition, In the wake of the visual reduction of conceptual art. However, he decided in the early 1980s to explore the poetic possibilities of pictorial art.

For him, a painting does not need to be “moving” or “understood”: death important belgian painter walter the primary objective of painting is simply painting. Everything – the shape, the color, the subject – comes from outside.

A poet before becoming a painter, it is no coincidence that language plays an essential role in his practice. The Wiels had devoted a major exhibition to him in 2013. with Dirk Snauwaert as a commissioner, among many exhibitions abroad where he was particularly recognized (as recently at the Kunstmuseum in The Hague).

Swennen’s works are very heterogeneous appearance, with a predilection for forms of death important belgian painter walter resistance: marginality, absurdity, euphemism, anticlimax, and tragicomic. Beyond the execution of appearance naive of his work (as in his “banana peel”). we discover sources of inspiration as diverse as comics, international literature, bilingual dictionaries and children’s drawings.

As silent as painting may be. Swennen attracts attention to the background which remains mysterious, as to the subjects familiar in the foreground.

The way he deals with the reasons as he finds them, whether noble or vulgar, is similar to a kind of visual poetry which refers death important belgian painter walter to its beginnings as a writer. Swennen’s paintings explore the relationship between symbols, readability, meaning and pictorial treatment.

In 2020. he was to receive from Jan Jambon, then Minister of Culture in Flanders, a Grand Prix (10,000 euros) but he did not come to Bruges and had given his price to the PTB/PVDA (only party, he said, not to contribute to the burst of the country).