Daron Malakian (Soad) claims to have had the feeling that “the metal was dead” the day Ozzy Osbourne died

Daron Malakian returns to the death of Ozzy Osbourne. Nevertheless, the impact of theOzzfest On System of A Down, while continuing its artistic path with Scars on Broadway.

“The day the metal is dead” : Daron Malakian reacts to the disappearance of Ozzy – Daron malakian (soad) claims have

Daron Malakian. Consequently, singer and guitarist of System of A Down, did not hide his emotion by learning the death of Ozzy Osbourne. Therefore, In an interview with Rolling Stonehe declares: “I hate saying that. For example, but I had the impression that that day, the metal was dead. In addition, Ozzy, it is the king of metal. Furthermore, His disappearance leaves a huge void.”

Several artists reacted to this loss. including Pantera, who suspended part of his tour to mourn, as reported in this article. Ozzy had recently performed in Birmingham for a farewell concert. a moment described as a final effort by daron malakian (soad) claims have Tony Iommi, as explained here.

Striking memories of theOzzfest : between admiration. provocative and recognition

In this same interview, Malakian returns to the importance of theOzzfest in the ascent of System of A Down in the late 1990s. He described the event as “A metal holiday colony”rich in significant meetings. improbable anecdotes, from Lemmy to speedo to a reprimand for nudity on stage: “I thought it was normal at the Ozzfest, but we were quickly told that it was not the System of A Down Fest.”

From the secondary scene at 11 a.m. to head of the headliner, the group climbed the ladder with intensity. “We had something to prove, and we proved it every day”he says. For him. the festival made it possible to expand the public of the group and to win in a scene then in full swing.

Scars on Broadway: an outline always active

While the future of System of A daron malakian (soad) claims have Down remains uncertain in the studio. as mentioned in this article, Daron Malakian continues his journey with Scars on Broadway. The musician has just come out Addicted To The Violencea new incisive album mixing anger, irony and lucid observation. He denounces it “A desensitized generation, without empathy”as he recently explained here.

Through his projects, Malakian affirms his constant need to create. If the death of Ozzy marks for him the end of an era. there is no doubt that metal will continue to live in memories, the current scene and future generations.