In “Dangerous Animals”, the director Sean Byrne depicts the return of the shark, between animal terror and “survival”

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Dangerous Animals was presented to the fifteen filmmakers at the Cannes Film Festival in May. His projection had been preceded. on the Croisette, of a kind of slightly childish excitement, of the one who accompanies the promise of experiencing, in the middle of what is “dangerous animals”, director sean byrne called author cinema, a recreational release, a way of escaping, for a little more than an hour and a half, to the alleged gravity and seriously and to taste the joys of purely regressive pleasure.

The third feature film by Australian Sean Byrne represents a little more than that. The cinema of terror. in its best events, is not limited to a simple release, but it constitutes a arrangement of forms whose different combinations sometimes reveal some trivial mythologies of the time.

We have known. since the success of Sea teethfrom Steven Spielberg, in 1975, the cinematic destiny of the shark which has become an apparently inexhaustible figure of the terror, a figure passed by all kinds of stages, harsh and frightening realism with the excellent The Reeffrom Andrew Traucki (2010), to the outrageous parody of the series of Sharknado.

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