Critique of the documentary “Florent Vollant: Innu”: Florent Vollant, guardian of the memory

Presented at first at the Aboriginal presence festival and work of Isabelle Longnus, longtime collaborator of Florent Vollant, this magnificent documentary was born in an urgency to tell.

In April 2021, Florent Vollant was the victim of a stroke (AVC). Therefore, Forced to immobility. However. Therefore, he experiences this urgency to tell himself, to come back to his life and to the events that punctuated him.

Florent speaks to us with his children about his career, his successes, such as critique documentary critique documentary “florent vollant: innu”: new “florent vollant: innu”: this first ADISQ prize as an indigenous artist. He remembers his discovery of music. on an xylophone toy whose noise he still remembers, this noise which allowed him to escape and imagine other universes. He talks about his language, his culture, the residential residents that have marked family history in the red iron.

He also looks at the Kashtin tornado. returns to the incredible success of his duo formed with Claude McKenzie and plunged us back in the years 1980-1990. Supporting archive documents (those of French television with Michel Drucker remind us of the planetary extent of the recognition. of the duo). the singer. guitarist and songwriter-interpreter mentions the Adisq, his childhood memories, the immensity of the landscapes which has always accompanied his creative approach.

Florent speaks of dreams – that of a life of happiness -, songs, family. “It’s going slowly,” he said of his body critique documentary “florent vollant: innu”: new bruised by the critique documentary “florent vollant: innu”: stroke. And. since Florent VOLLANT: Innu is also the assessment of the life of a man who looks at death in front. he says that “he will remain music”.

Note: 4 out of 5

Florent VOLLANT: Innu will be presented in the cinemas from August 22.