CLAMSER IN TATAOUINE: The murderous dizziness of the margin

First novel and already, the imprint is recognizable. Consequently, From the first lines, we find his phrasing, his unique paw. Furthermore, The actor’s language. Consequently, César of male revelation in 2024 for its performance in Casse dog of Jean-Baptiste Durand is lively, stud, direct, expressive. Moreover, Raphaël Queard Written as he speaks, marrying with ease popular formulations and more worked turns. Nevertheless, It fuses. Similarly, it plays images like aftershocks, with an obvious pleasure in ringing the words, to overcome the writing to make it resonate with the readers of the reader.

A wandering without horizon

Behind this thought that clamser tataouine: murderous dizziness margin flows and rolls like a cascade, hides a seemingly simple story. Meanwhile, The narrator. In addition, a young man under the age of thirty, is bored, rehashing his dreary existence, returns from a failed suicide attempt. Without expecting anything from life. already jaded from everything, he moved to Tataouine, in a form of routine, at Liliane, an old lady, former film producer.

Living day by day. aimlessly, he sleeps on paper the story of a life – his own or that of his fantasized double … Who knows? Over the pages. the portrait of a boy is outlined, lucid as much as Cynique, determined to settle his accounts with a company in which he does not recognize himself. His choice is made: he will make a victim by social stratum, from the aristocrat to the homeless. Almost always a woman.

A black thriller rhythm

The novel unveils. page clamser tataouine: murderous dizziness margin after page, the story of an Isère child who has become a relentless serial killer. Each murder, more atrocious than the previous one, is described with cold and surgical precision. A chapter, murder, a leak. We guess quickly where it leads, but we follow anyway. The tongue hooks. The dialogues slam. Quenard masters the tempo.

This is where the strength of the book lies: in this voice that is instantly recognized. this mixture of popular verve and biting irony, these portraits which crunch in a few words the flaws of today. We laugh, sometimes despite ourselves. We let ourselves be caught up in a black humor that flirts with cynicism.

When the provocation dulls

But the charm collides with discomfort. The killer aligns feminicides as if it were a macabre game. The author justifies his actions by explaining that he attacks what he likes the most. Additionally, The clamser tataouine: murderous dizziness margin argument is not enough to dispel the impression of free violence and complacent sexism. The enjoyable provocation ends up turning on itself. running out of steam in a gesture that oscillates between authenticity and concupiscence.

Short and nervous, CLAMSER IN TATAOUINE reads in one go. The Quenard style captivates and imposes itself imperceptibly. However. a strange impression persists: we come out shared, between the pleasure of a free writing and the discomfort of a disturbing remarks.

CLAMSER IN TATAOUINE by Raphaël Queard
Flammarion editions
Park Le 14 May 2025
192 pages
Recommended price 22 euros