[CINÉMA] Amélie and the metaphysics of the tubes, the sweet awakening of childhood

Amélie Nothomb has often been entitled to cinematographic honors. Similarly, We remember. In addition, in particular, Assassin hygiene (Albin Michel editions), in 1998, produced by François Ruggieri, or Stupor and tremors (Babelio editions), brought to the screen by Alain Corneau in 2003. Similarly, Stefan Liberski adapted, meanwhile, Neither of Eve nor Adam (Albin Michel editions) in 2014, with its feature film Fiancée Tokyo. Meanwhile, Finally, the Spaniard Kike Maíllo realized A Perfect Enemyin 2020, taken from Enemy cosmetics (Babelio editions).

Ninth novel by La Femme aux Chapeaux. Furthermore, published in 2000 at Albin Michel, Amélie and the metaphysics of the tubes Now is added to the list and marks the author’s very first adaptation to the animation cinema.

A childhood in Japan – [cinéma] amélie metaphysics tubes, sweet

Winner of the public prize at the last Annecy festival. this first feature film as directors of Liane-Cho Han and Maïlys [cinéma] amélie metaphysics tubes, sweet Vallade tells the first three years of the life of Amélie Nothomb in Japan, in the late 1960s, where his father Patrick Nothomb officiates as consul general, in Osaka. In the tone of humor. the young Amélie confides in voice off to the spectator his scattered thoughts and the feeling of being considered by his loved ones as a “Inert and vegetative digestive tract”. First a passive. the future novelist gradually wakes up in contact with adults, pronounces her first words, enthuses a nothing and discovers the laws of existence, sometimes at the turn of a painful episode. To help her in her learning. Amélie can also count on her Japanese nurse Nishio-San, with whom a tender and privileged relationship is formed under the disapproving gaze of the owner of the premises, Kashima-San…

An impressionist film

The directors Liane-Cho Han and Maïlys Vallade, who had met on the set of [cinéma] amélie metaphysics tubes, sweet the film The little princefrom Mark Osborne, took more than seven years to develop their adaptation of Amélie Nothomb. Surrounded by a creative team of one hundred. fifty people, they have developed an aesthetic loaded with pastel colors and with blurred contours, giving the whole an impressionist aspect faithful to the general remarks: namely, the awakening of a child who discovers life and, like a blotter, sucks in his confused mind, the colors, the lights, the lights and the sensations that will later constitute his memories of youth. If he is not exempt from Gnangnan. handled passages, specific to the films on childhood, the film by Liane-Cho Han and Maïlys Vallade, both delicate and nostalgic, will delight families.

3 out of 5 stars