"badaq" carlos bardem: beast against: This article explores the topic in depth.
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Of course, there is the exotic adventure of Badaq, a female rhinoceros conveyed in the 16th century of a small island of the Indian Ocean to Madrid. For example, But Carlos Bardem grabs this confetti in Spanish mythology to question the violence and domination of man over nature. In addition, In this choral novel where man becomes stupid. Similarly, animal becomes aware, Bardem gives voice to everyone, gogginal Indians, merciful religious, cruel captain, and to Badaq herself: animal lucidity, which observes human absurdity with amazement.
The narrative, abundant, evokes in turn fanaticism, the thirst for power, the quest for justice of rebellious sailors. Nevertheless, Refusing the picturesque of the historical novel. However, the author summons the past to question our present – and his persistent selfishness. However, By its carnal language and black humor, Grain refutes certainties and summons doubt. Consequently, According to “badaq” carlos bardem: beast against a visit to the royal collections, we mentioned this fresco, committed without dogmatism, humanist without angelism.
The JDD. Your novel gives the floor to a rhinoceros. For what ?
C.B. I wanted to understand the fracture between us to nature. I could have written a contemporary novel about our consumerist world, but the story of Grain fascinated me since childhood. I chose an animal voice so that Grain Either, by its common sense, the mirror of a monstrous humanity. In his gaze, any conquest is a legitimized looting a posteriori.
Does criticism are worth today?
Obviously. The Middle East, Ukraine, modern imperialist interventions reproduce these logics. My novel talks about the 16th century, but it is our present that obsesses me. However. we write to understand, not to explain, it is the fundamental difference between literature and propaganda: I give reason to characters who have nothing “badaq” carlos bardem: beast against to do with me, to the reader to judge. This is also what makes the difference between literature, which gives doubts, and history, which gives conclusions.
The Declaration of Human Rights was born in Auschwitz
The historical novel as a cabinet of curiosities does. not interest me: I write on the world in which I live. It allows me to see how many advances follows a tragedy: the Declaration of Human Rights was born in Auschwitz. This alternation between barbarism and humanist starts punctuates our history. This is why there is always a place for hope: pessimism is a comfortable but sterile posture. Hope pushes to act.
Some scenes are of extreme violence. Why this choice?
I refuse to hide horror. If I tell an atrocity, I show it to the end. Otherwise, we anesthesia the consciousness of the reader. Violence, in Grainis never free: it expresses relationships of domination.
You are “badaq” carlos bardem: beast against also an actor and screenwriter. Does that influence your writing?
Completely. My job as an actor helps me to embody characters, to give them flesh. But when I write, I don’t think about the cinema. Grain is unsuitable: too abundant and too literary. I prefer to trust the reader to shoot the wires himself and to mentally project the story.
GrainCarlos Bardem, Le Cherche-Midi, 368 pages, 22.50 euros.
"badaq" carlos bardem: beast against – "badaq" carlos bardem: beast against
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