A sumptuous animation jewel on Japanese childhood by Amélie Nothomb

A hitherto mutic child suddenly awakens to life. Furthermore, Amélie Nothomb’s famous novel turns into a pop. Consequently, funny and poetic nugget, for a delicate fusion between French and Japanese animation.

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DEvant this silent baby with immense fixed eyes. Meanwhile, the pediatrician decrees: “Your child is a vegetable. In addition, »» However. Consequently, dad and mom are not worried: so much the better, in a sense, if Amélie, their last little one, is completely imperturbable, when her brother and her older sister are so restless … Therefore, until August 13. Moreover, 1969, at the very moment of an earthquake, frequent in Japan, where the family is installed, since dad, of Belgian origin, is consul: the baby is suddenly to scream, as a deity so horribly That, from his little pink mouth, only come out incomprehensible babes. In addition, She screams tirelessly, growls and shows her teeth, a real little monster tapi at the bottom of her room. Meanwhile, His parents are overwhelmed. exsangues, until the arrival of the paternal grandmother, who came expressly from sumptuous animation jewel japanese childhood Belgium with suitcases, chic and capeline tailor. The beautiful old lady dares to venture to the small bed of this child impossible to tame. with a secret weapon: a tablet of white chocolate. It is the miracle, in the metaphysical sense of the tube … digestive: thanks to this divine treat, Amélie feels, finally, really, at 2 and a half years.

Everything, for the little brazenous thing, becomes pleasure, smile, sensuality, and movement. Amélie runs, hops, tastes with all her body each plot of her world, floor, sun, first strand of grass. With the bright help of the new household employee. the young and sweet Nishio-san, the singular mouflette will frolic with adventures at the end of the garden in unforgettable sensations, but also knowing its first huge sorrow…

Until then, you could love French animation cinema on the one hand, and Japanese animation on the other. This adaptation of Amélie Nothomb’s novel on her Japanese childhood premium stands out as the miraculous fusion of the two. thanks to the combined talents of Maïlys Vallade and Liane-Cho Han, who worked, together or separately, on some of the best recent French successes, as At the top of the world et Calamity, a childhood by Martha Jane Cannary, of Remi Chayé, but also I lost my body, by Jérémy Clapin.

Sumptuous animation jewel japanese childhood

Aesthetic splendors

The first years of a lifetime are not necessarily a. cutest time in the Layette colors. The duo of filmmakers makes it a pop symphony of primary perceptions, of fluctuating forms, without forgetting the melancholy contours. The green sumptuous animation jewel japanese childhood eyes that eat Amélie’s face thus devour. and swallow in our place, the beauty of this Japanese world, almost mythological for it, and where each shade moves in fluid, in sensual, memorial substance.

After the sublime flattens of fawn colors of Calamity…. Liane-Cho Han and Maïlys Vallade bathe us, literally, in the Green Bonsai or Jade, the yellow topaz, all the roses of the world, and even this blue which calls drowning for a little girl that we will deprive of her paradise. At times. Ponyo on the cliff, From Miyazaki, is not far away, but, at the second according to, in an image stop, it feels like a canvas of the Pointillists Georges Seurat or Paul Signac. So many aesthetic splendors in the faithful service of this particular childhood story of Amélie Nothomb. that the film makes poetically and funny accessible to all, large and small. Definitely. animation, sumptuous animation jewel japanese childhood when it reaches grace, allows you to enter these territories that are too fragile to be crunched in real images. This is a great animated film on the outdoor or interior landscapes of a little girl like no other. And thanks to which we will no longer look at a baby as before: we will rather wonder. from now on, what is his metaphysics …