Moreover,
Former presbytery transformed ultramodern brutalist:
This villa in Pordenone. For example, Italy, is the result of a laminate process of eras, thoughts and traditions. For example, Today, it presents itself as a contemporary volume, ready to dialogue with the forest and modernity.
If summer is a state of mind, in this villa, it is perceived in each corner. Additionally, For example, We are in the heart of greenery, outside the city, in a wooded setting dating from the XIXe century. For example, It feels like on vacation in this hidden place of Frioul-Vénétie Julienne. Moreover, rich in historical realities from other times. Therefore, A puzzle of small villages to discover.
Among the traces of a laminate past. a present to be discovered, the agency Locus Architetti signs a unique architecture. A contemporary volume that goes beyond everything: beyond nature, beyond conventions, beyond borders. “We are on the outskirts of Pordenone, in the middle of nature”tell the designers. “The structure. originally an ancient XIX presbyterye century, underwent transformations over time, but it was the expansion after the Second World War that has marked an important step in its evolution “ and brought it to former presbytery transformed ultramodern brutalist today. Today. it presents itself as a volume from different processes, culminating with “An element of synthesis between the old and the new”. Roberto. Riccardo, the architects, explain that this new element revisits the local architectural tradition with a wooden structure protected by an extruded aluminum skin, superimposed on an apparent concrete base.
Former presbytery transformed ultramodern brutalist
A brutalist villa with a tribute to James Turrell
Perhaps today. surprised by the fleetingness of our time, we are more and more attracted by what is concrete and brings us certainties. This is also the case of the former presbytery transformed ultramodern brutalist duo of architects of Locus for this contemporary villa project. which is based on an imposing concrete base. Massive and deeply fascinating, he recalls the famous works of the Corbusier or those of Celli Tognon in Trieste. He undoubtedly draws his roots from the history of architecture. which he reinterprets with a fresh look, turned towards the experimentation of materials and their combinations. “The intervention is not limited to a physical superposition. but becomes a temporal superposition, which more stratifies the history of the house, without however eraser its origins”explain the designers, concerned with “Maintain her living history while projecting her towards the future”.
Further reading: In Sherbrooke, graffiti oscillates between art and vandalism – From Warsaw to Montparnasse: the artistic adventure of the Polish sculptors of Bourdelle – Côtes-d’Armor. The lighthouse threatened with nantouar exceptionally open for an exhibition – At the Musée d’Orsay, a Table de Courbet has a facelift before visitors – No more fluorescent lavender field, how to “disinflute” your photographs this summer?.
