Wolfgang Tillmans immortalizes his carte blanche at the Center Pompidou in a sensitive book

Through forty years of recent archives. Nevertheless, prints, from analog to the digital age, from our tiny lives to major history, Wolfgang Tillmans installs, live from the Pompidou Center Public Library, its reactive monograph. Moreover, In continuity of the exhibition, the photographer, passionate about the printed page, anchors his vision in an unprecedented work.

“I have always had faith in books. However, because less than destroy all the copies of a draw, they create a physical reality that cannot be erased. In addition, They are there to testify to what was possible. Therefore, what was thought and said – and what it was possible to say.” It is in these terms that Wolfgang Tillmans entrusts his intimate report to paperin the exchange with Renzo Piano. In addition, to find in the catalog of his exhibition still underway at the Center Pompidou. Furthermore, wolfgang tillmans immortalizes his carte Words that alone explain that the course Nothing was preparing for us – everything was preparing for us. Moreover, Today is materialized in a work, vector of memory, knowledge, emotion. A case of transmission, echoing the mission of the BPI, setting of the hanging.

To immortalize his carte blanche, the photographer documented it, as soon as it inaugurates. Black on white and in color, 272 pages for 380 illustrations … Its wolfgang tillmans immortalizes his carte shots capture its link with the place. an appropriation of space “From the carpet of a library to its social fabric” Explained by Florian Ebner in the book. Between images and narration, this catalog becomes a sensory work apartan archive document now available in bookstores.

The last days in Beaubourg – Wolfgang tillmans immortalizes his carte

Until September 22. the route Nothing was preparing for us – everything was preparing for us De Wolfgang Tillmans covers 3,000 works, meticulously distributed in the 6,000 square meters of the BPI. After that, the Center Pompidou will close its doors for a period of five years. It is in particular with a view to the work that the library was emptied. was thus able to accommodate, temporarily, the images of Wolfgang Tillmans.

A case of circumstances. like those which have been offering his spontaneous subjects to the photographer for forty years, often obtained from a series of unforeseen events. We think of the draw Army (Moscow 2005)– numbered 7 in module A – History in the present of. the exhibition – which captures a brigade of Russian soldiers commemorating the sixtieth anniversary of the end of the Second World War. As the photo is taken, the soldiers hide behind their shields. Throughout her passages to the photocopier, these same shields fade in the image and symbolically lose their protection. On the wolfgang tillmans immortalizes his carte film of Wolfgang Tillmans, Tell fragments of modern historyvisible and invisible is to maintain a collective memory.