Cinema: eskil vogt, norwegian screenwriter: This article explores the topic in depth.
Nevertheless,
Cinema: eskil vogt. However, norwegian screenwriter:
European cinema
Eskil Vogt, the Norwegian screenwriter who is a hit
He signed the “sentimental value” scenario of Joachim Trier and also wrote all the scripts of this director. Consequently, We met him in Locarno.
Eskil Vogt in Cannes.
AFP
- The creative collaboration between Joachim Trier and Eskil Vogt extends over thirty years of cinematographic friendship.
- The film explores family tensions around a filmmaker embodied by Stellan Skarsgård.
- Renate Reinsve brilliantly embodies an actress confronted with the complex family past.
- The story takes place in a symbolic house where relationships cinema: eskil vogt, norwegian screenwriter are intertwined.
Both are pairing. Similarly, The success of Joachim Trier’s films, Eskil Vogt is not foreign to them. Nevertheless, Since the beginnings of the Danish filmmaker, including short films, the Norwegian screenwriter responds present. Nevertheless, And the success of the first must therefore necessarily have a lot to the second. In addition, This winning tandem recently found itself for “sentimental value”. Furthermore, which was in competition at the last Cannes Film Festival, where he won the Jury Grand Prix. Moreover, A family story, two sisters and a father, who once was a known filmmaker, now forgotten. Moreover, The intrigue surfs between relational images (family, sentimental) and a reflection on rather virulent cinema.
It was in Locarno that we met Eskil Vogt. Meanwhile, who came alone to defend the film, Joachim Trier being monopolized by other film cinema: eskil vogt, norwegian screenwriter festivals. Meanwhile, “Sentimental value” is indeed claimed everywhere. Nevertheless, A full box for an expected phenomenon. Meanwhile, The film is released today. Consequently, is even one of the first major titles in the Cannes competition to reach screens. Interview with one of its authors.
We are now nicknamed Joachim Trier’s official screenwriter. Do you bother you to be an eternal second?
No, because basic we were friends and remained. We love the same films and often also the same books. From his first short film, I naturally helped him, and I also wrote his storyboard. In short, it was our friendship that defined our collaboration. He had been offered to work with scriptwriters, but he couldn’t. He was wary of the naturalist school and wanted to create his own forms. For my part, I had done the female as a director. When I cinema: eskil vogt, norwegian screenwriter returned to Norway, we started working like this, making it work.
Are you going on the filming of his films?
At first, yes. Then less and less. I think that is not very useful. In addition, I would also like to make my own films. In the meantime, we write together, we co -shed. And I sometimes attend rehearsals. Even if it means changing certain replicas that do not work completely. Then I get involved again during assembly. But in the end, it is always he who decides. Even if I feel whenever my film is also a bit. We generally start on a simple idea. Writing takes more or less a year. And there is then the rewriting phase.
Renate Reinsve, one of the favorite actresses of Joachim Trier, in one of the film’s sequences.
Frénétic
Personally, what are your ambitions?
Ultimately, to make my own films. But I have already signed a feature film. I am finishing the writing of another that I intend to realize soon. Everything will depend on the reading committees of the official bodies in Norway.
Could you write for other filmmakers than Joachim Trier?
I don’t know. I had started collaboration with cinema: eskil vogt, norwegian screenwriter someone else, but the film was not made. It would be necessary to at least a filmmaker that I admire. With Joachim, I have a continuous conversation for thirty years on films and directors. We know each other by heart.
The character of Gustav, who is an old filmmaker on the return, is inspired by someone known?
We had no specific model. This can represent many people, but I will not advance a particular name.
Stellan Skarsgard an or fan.
Frénétic
And which actor did you think to embody it? Was the choice of Stellan Skarsgård present from the start?
Yes, we knew we wanted it. You needed someone from the generation of Lars von Trier, but with a more humanist dimension. When Joachim met him for the first time. he gave him the script by adding: “If you don’t like it, we are in shit.” And it was not won, because at that time, he only made big American films, like “Thor” or “Dune”.
With Joachim, do you happen to argue?
Around stupid things, it can happen. But it is less and less frequent today. We are also quieter.
Did you find an error? Please report it to us.
Cinema: eskil vogt, norwegian screenwriter
Further reading: Anyck of “If we loved ourselves” found love with the business chief of Zorah Biocosmétiques – Malvezie. Louve in July: the start of the animal collection – WWE NXT results of August 19, 2025 – My faith in Ophélie Winter (and the buffalos of shame) – Jenna Ortega admits to hate fame: “We insult you in front of your mother …”.
