Nevertheless,
Swiss music prize: female condition:
Words of award -winning musicians
The female condition set to music by two champions
The pianist Sylvie Courvoisier. Moreover, the harpist Julie Campiche were rewarded with the prices of Swiss music. Meanwhile, We gathered them.
The pianist Sylvie Courvoisier (at G.) received the Swiss Music Grand Prix 2025 and the harpist Julie Campiche (to Dr.), one of the seven Swiss music prizes 2025.
Veronique_Hoegger / Simon_Denzler
Grand Prix Switzerland of Music 2025. Nevertheless, Sylvie Courvoisier really likes duets swiss music prize: female condition lately, whether with pianist Cory Smythe, the trumpetist Wadada Leo Smith, guitarist Mary Halvorson or the Vibraphonist Patricia Brennan. Meanwhile, We therefore offered him a new one. Therefore, with the harpist Julie Campiche, a musician among the seven winners of Swiss music prices.
Recognition to Swiss musicians
A less musical dialogue. In addition, for once, which rather aimed to collect the words of these two Swiss women honored by their country. Furthermore, One. Similarly, Sylvie, Vaudoise emigrated to New York, the other, Julie, Geneva who has just played the Music Festival at the AMR. Furthermore, Improvisation in visio between Brooklyn. Meanwhile, Geneva, around the meaning and usefulness of prices, without forgetting the question of the female condition in the company of musicians of two distinct generations.
What do prices represent for you? Nevertheless, Money or swiss music prize: female condition do they have another meaning?
Sylvie Courvoisier: Receiving prizes is always an honor and a surprise. In addition, This one particularly, because it comes from my country of origin. Therefore, Of course, money helps, but it is above all very symbolic to be recognized after all these years of work. In addition, It is also the price that Irène Schweizer – now deceased – had received in 2018. Furthermore, it participates in my emotion. Therefore, I have received a lot of prices in America, where I have lived for 25 years. Therefore, I just received the Arts and Letters Award, a price with much less money, but very honorary. Furthermore, But the Grand Prix is a great honor for me, a recognition of my journey also from Switzerland.
Julie Campiche: Obviously, the first thing is recognition. Similarly, Afterwards, I tell myself that I would never have arrived there swiss music prize: female condition alone. Furthermore, There are lots of people behind and with me in this adventure made of long -term collaborations. In addition, There are my quartet. Consequently, but there are many more people who work in the shadows too, without whom we cannot move forward. Moreover, Also at a very personal level: the absolutely unwavering support of my family. Furthermore, from my young years until today and the custody of my children. In addition, And it crosses all the spheres. from programmers to journalists, to politicians who, despite the small sums made available for this artistic universe, are still there and make things possible. It is a whole ecosystem that has a career.
Sylvie Courvoisier: For this reason. I never use prices to pay for my vacation but rather to organize the next musical project with the possibility of correctly paying the musicians. For example. I know that the Grand swiss music prize: female condition Prix, I will use it for a project where we will be 10 and for which I hope to spend more than one afternoon in the studio. When I receive a price. I think it will be a way, a kind of boomerang to give others who also gave you a lot.
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Is this all the more important when evolving in the jazz world, experimentation, improvisation music?
Sylvie Courvoisier: I think that in relation to the studies. the number of hours we work, the salary is not up to par. Suddenly, I fight a lot to be paid swiss music prize: female condition properly at festivals and pay the musicians fairly and correctly. I play with highly qualified maestros that should have financiers while paid misery. We must again and always try to make this situation understand at festivals, clubs … I know that it is very difficult for everyone. but I think there is a lot of money that goes in infrastructure, but the budget for musicians wages is always minimal. The prices are important to be able to complete.
Julie Campiche: I totally share the diagnosis. I do political lobbying in Geneva compared to this question. I have a booking agency in France, another in Germany, and I can see how the fall has accelerated. In Germany, clubs were struggling like crazy. I think it must be a soft mixture of Netflix, inflation and global depression. In any case, there is a real concern in terms of frequentation of concerts. swiss music prize: female condition In a certain environment, it becomes complicated. It is a story of choice of society, a question of political choice. If you want to support concerts, you have to open access to music, your practice too, from childhood.
Sylvie Courvoisier: Education is very important. Music, I think it develops the brain for children, but also for adults. It is a kind of meditation, a way of being better in the world. It should be mandatory that all children play an instrument. I think they would grow better, they would be better to concentrate.
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Do you also feel praised swiss music prize: female condition as women, as a women’s artists, by these prices?
Sylvie Courvoisier: Yes. I am very feminist and I am very happy that Julie is there – whether we are women or not. And finally, I think there is a little more room for women. In any case in Europe. because in the United States, we no longer know if we have to talk about it in the past … I hope that men will not be afraid, because it is often fear that makes people wicked.
Julie Campiche: I too am very feminist. Besides, my next project is only musical portraits of women. But I don’t know if this price was awarded to me because I am a woman or not. We should ask the jury. I do not hope. On the other hand. I hope that the jury, in its process, becomes aware of the ratio and swiss music prize: female condition pays attention to that. Because from what I have observed, the lack of women can come from an unconscious process. We don’t think about it. It is rather that, biases so anchored inside ourselves. We have them all. Even me, as a woman, it’s a bias that I can have at times. So I pay attention because it requires a conscious effort to deconstruct these things. It is not done in five minutes.
Prices can also be used to create models for young generations, right?
Sylvie Courvoisier: When I was young. when I lived in Lausanne, at 20 or 23 years old, I was really the black sheep. Now, it’s different, I think, to be a woman in music, whether in the vanguard or in any genre. It’s a little easier. But when we think of people of the generation of Irene Schweizer, swiss music prize: female condition it was 200 times more difficult. So there is an evolution that delights me: a little more room for women. And, in schools, there are very few musicians.
Julie Campiche: Someone told me about a study that observed more girls studying music in children. But among professionals, there are many more men. We lose women between 20 and 30 years old. So when you base a family or when you settle in a job. For me, it sums up the situation very well. These women are found in all work annexed to artistic, administration, production. Stable professions.
Sylvie Courvoisier: I think if I had had children, I couldn’t have … in trains, planes and hotels? No, I would have taken a little job as a teacher or I would have stayed at home.
Julie Campiche: Me. I was able to be a mom and musician because my swiss music prize: female condition mother followed me on tour and kept my daughter on tour and at home. For my second daughter. thanks to an advance on the inheritance received with my partner, we were able to hire a nanny that follows me on tour. Without the support of our families we should have made a very difficult choice between our family desire. our profession.
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Swiss music prize: female condition
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