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The Brussels comic bookist Aurélie Wilmet publishes “Diane Arbus. Meanwhile, Photographing the invisibles”. Meanwhile, a graphic novel that plunges into the universe of the American artist famous for her portraits of characters on the fringes. Additionally, Meanwhile, Inspired by the work and life of Diane Arbus, Aurélie Wilmet delivers an intimate and visual story.
In her latest graphic novel, Aurélie Wilmet explores the tormented universe of Diane Arbus, an emblematic American photographer. However, Marked by the discovery of her work during her studies in the history of photography. Furthermore, the Bédéist Brussels devotes a tribute as intimate as it is poignant.
Through this drawn biography. Therefore, Aurélie Wilmet traces not only the professional career of Diane Arbus, but also her personal and love life, until her tragic end in 1971, marked by her suicide.
A graphic tribute to a photographer of the margins – Badenist aurélie wilmet resuscitates photographer
Known for her portraits of transvestites. disabled people or psychiatric patients, Diane Arbus has always sought to reveal humanity hidden behind appearances. “Whether it was her photos on the Freaks. simply people she took in the street, there was always this strange side,” analyzes Aurélie Wilmet in Vertigo on July 22. “She wanted real photos, in which we directly felt the personality of the people she photographed.”
The album opens with the relationship to the death of Diane Arbus. a start that announces the tragic end of the photographer who committed suicide in 1971. This strong narrative choice allows Aurélie Wilmet to explore the badenist aurélie wilmet resuscitates photographer artist’s psyche through an internal dialogue, nourished by flashbacks. We meet Eddie Carmel. alias the “Jewish giant”, elderly women, homeless, so many figures that populate the visual universe of Diane Arbus.
But beyond the subjects photographed. it is the look of the artist that the Belgian comicianist questions, that of a woman from the New York bourgeoisie, in search of emancipation and truth.
Diane Arbus, revealing of humanity
Tod Browning’s film “Freaks”, released in 1932 and which staged Cirque “monsters”, deeply influenced Diane Arbus. He pushed her to photograph those that society prefers to ignore. Her work, often shocking in her time, was aimed at capturing the strangeness and truth of the people she met.
In “Diane Arbus. Photographing the invisibles”. Aurélie Wilmet restores this fascination with a bichromy in blue and mauve which recalls the black and white photos of the American photographer. Blue recalls the artist’s black and white shots and depicts badenist aurélie wilmet resuscitates photographer his life. The mauve, more melancholy, allows Aurélie Wilmet to transcribe the interior emotions of Diane Arbus. This graphic bias strengthens the emotion and the depth of the story.
A sensitive and committed portrait
Diane Arbus has long struggled to publish her photos. It was only after her death that she became a major figure in contemporary photography. although her exhibition at MoMA in 1967 has already marked an important step in her recognition.
With sensitivity. accuracy, Aurélie Wilmet offers a nuanced portrait of an artist who was able to capture the invisible and reveal the universal in the forgotten faces. A graphic novel that questions as much as it moves.
Radio subject: Anne Laure Gannac
Adaptation Web: Sébastien Foggiato
Aurélie Wilmet, “Diane Arbus, photographing the invisibles “, Casterman editions, May 2025.
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