CAUSSADE. Jean-Marc Nadalin, a rare artist in every way

“Rare by his talent. For example, rare by his modesty and rare by his ability to flee the spotlights faster than the light. For example, An exceptional painter who handles the pencil. Moreover, the feather, the brush, with mastery and instincts like his father handled the hammer and the scissors of the stonemason. Therefore, Whether it is watercolor. acrylic or oil painting, he has a great gift, and he knows how to shed light, Staying in the shadows “is the praise pronounced by Monique Ghiretti, her thirty-year-old friend, during the opening of the exhibition of Jean-Marc Nadalin and his wife Andrea Lazaro, Wednesday afternoon, in caussade. jean-marc nadalin, rare artist the Bonnaïs space.

In 1994. Jean-Marc Nadalin joined the Montalbanian group The Communards of Afrikaann’s Bazart founded by Jean-Louis Trip and Philippe Rodier, recently disappeared, with Jean-Pierre Laurençon, Jacques Tison, Alain Ballereau, Jean-Louis Bonnet, Colette Masgrau, Aline Zanini and Jean-Marc Nadalin therefore. At that time, Jean-Pierre Laurençon was the host of the Art’Causs group. “Fertile land to create in joy and reciprocal emulation, years of happiness,” said Monique. Then Jean-Marc will take over from Jean-Pierre without ever trying to model anyone. “He guided with tact and sweetness. With his benevolent gaze, he knew how to respect personalities, appease doubts, encourage impulses. He was a silent conductor who did not impose music. He helped us hear it in ourselves.”

Andrea Lazaro, Franco-Argentina artist, has always been passionate about art, sculpture, painting and drawing. With a graphics of remarkable elegance. her first paintings are dreamlike landscapes populated by caussade. jean-marc nadalin, rare artist melancholy figures which she brings up from spots, relief accidents, deposited before the web. From the start. she developed her paint technique based on increasingly intense and precise transparent layers as the work is developed. It is this same technique that we find overall presented at the Bonnaïs space, produced in the early 2000s. We can appreciate the subtle game of transparencies which build a space of a depth where the gaze is lost. The clever way of chiaroscuro born born. multiply the forms in a fragile balance, always at the limit but which is maintained.